While Cho Yong-Pil had released music throughout the 1970’s, it wasn’t until his
first release with Jigu Records in 1980 that he became a superstar. Many of the
songs on this album are among Cho’s best-known to this day. “Return to Busan
Port” is considered by some to be the most significant Korean pop song in
history, its message resonating with Korean families whose relatives had gone
abroad. The bluesy ballad “The Woman Outside the Window” and the synth-pop
disco of “Bobbed Hair” were musically innovative, and there’s a reverence for
previous generations of Korean music as well, with a recording of the folk song
“Five Hundred Years” and a remake of the 1959 hit “Daejeon Blues.”
Several tracks here had been released previously, such as “Return to Busan Port,” “The River of No Return,” “Jeong,” and “Too Short.” “The River of No Return,” “Love Hasn’t Ended Yet,” and “The Woman Outside the Window” were originally musical pieces written for dramas. In a sense, this album is like a greatest hits collection of Cho’s 1970’s work and then some. It ended up becoming the first Korean album to sell a million copies, and far and away the best-selling Korean album of 1980.
Note: The CD version of this album has a slightly different track sequence. The sequence here is from the original vinyl album.
Several tracks here had been released previously, such as “Return to Busan Port,” “The River of No Return,” “Jeong,” and “Too Short.” “The River of No Return,” “Love Hasn’t Ended Yet,” and “The Woman Outside the Window” were originally musical pieces written for dramas. In a sense, this album is like a greatest hits collection of Cho’s 1970’s work and then some. It ended up becoming the first Korean album to sell a million copies, and far and away the best-selling Korean album of 1980.
Note: The CD version of this album has a slightly different track sequence. The sequence here is from the original vinyl album.
Album cover via ManiaDB |