Cho Yong-Pil Vol. 2 (조용필 2집) (1980)

Cho Yong-Pil’s phenomenal success in Korea made him the first Korean rock artist to perform at Carnegie Hall, as is prominently displayed by the front cover. Like Volume 1, some of the songs included were themes to dramas, including the title song “Blessing (Candlelight),” and “Modern History Figures.” Other songs of note include “Unexpected Goodbye,” which fuses elements of both trot and disco and “I’ve Decided to Forget,” which has been called a fusion of an adult pop song and a nursery rhyme. “Ganyangrok,” which tells the story of a Joseon scholar in Japan, is also well-known, and the funky “Let Me Meet” closes out the album with a twist.

Jigu Records hurried the release of this album as a follow-up to the bestselling Volume 1, and the tracks “Love Hasn’t Ended Yet” and “Sad Smile” from the first album are included again here.

Note: The CD version has a different track sequence, but since this album originally came out in the vinyl era, I’ve listed the track sequence from the vinyl version. The CD version doesn’t include the instrumental to “Bobbed Hair,” but it does include “Thoughts of Older Brother,” which wasn’t released on vinyl until Cho’s Volume 3. I have included a translation of “Thoughts of Older Brother” here.

Photo via ManiaDB

Cho Yong-Pil Vol. 12 (조용필 12집) Sailing Sound (1990)

Cho Yong-Pil’s 12^th album Sailing Sound, his first of the 1990’s, contains one of his most-covered ballads, the sweeping and magnificent “I Wish It Could Be That Way Now.” That song is only one of many highlights, however. The cheery pop of “Your Scent Scattered” and the longing rocker “Sunflower” have hooks that stick in your brain, as does the upbeat closer “Life Goes Round and Round.” The opening track “Reunion in Memories” was the title song, and received new life years later after being covered on the Korean variety show I Am a Singer. There are interesting changes of pace too, with the haunting and mysterious “Ancient Palace,” a tribute to a historic castle that’s now a run-down tourist attraction, and the genre-defying “Oh Tree,” which taps into the human desire for groundedness. All in all, this album was a great beginning to the new decade, and is one of Cho’s best start-to-finish listens.

Image taken from ManiaDB

Cho Duk-Bae Vol. 5 (조덕배 5집) (1989)

Cho Duk-Bae skipped album number four (probably due to four being considered an unlucky number in Korea) and went straight to number five. This album produced one of his most famous songs, the lush “If You Come Into my Heart.” Cho’s beautiful jazzy folk style remains the same, but Byeon Seong-Yong’s arrangements add a new depth to his sound that wasn’t present on previous albums. The trot-like “I’ve Become Speechless” is a slight stylistic departure, but it fits the general mood. Altogether, it’s a very relaxing listen, as is usually the case with Cho.

This album is available on CD only as a combined disc with Cho’s third album and a slightly different track sequence. The sequence here is the one from the original vinyl album.

Cover art image source

Secret - Magic Mini Album (Secret Time EP) (시크릿 - Magic) (2009)

After their techno/R&B-tinged debut single “I Want You Back” failed to make a large impact, Secret had much better success with the organic funk sounds of their second single “Magic.” “Magic” was a bona fide smash hit, with an infectious, danceable beat and a powerful, eye-catching music video. While their debut single was available only as a download, “Magic” was released as part of this six-track mini-album. Stripped-down versions of “I Want You Back” and its b-side “3 Years and 6 Months” were included, along with the synthesizer-heavy dance track “Spot Light,” the straightforward pop song “Figure It Out” and the R&B-ish “My Boy.” None of those non-single tracks is worth the price of the album by itself, but the single tracks are strong enough to make this disc a decent listen overall.

Cover art courtesy of ManiaDB

Jang Yoon-Jeong Vol. 4 (Jang Yoon-Jeong Twist) (장윤정 4집) (2008)

The modern-day Queen of Trot’s fourth album actually strays a bit from the genre in her appellation. There’s very little trot on this album, in favor of a wide variety of styles. The title song, “Jang Yoon-Jeong Twist” shows Jang paying homage to the 1960’s dance craze, and the club tracks “Sudden Grinding” and “Tiptoe Tiptoe” have very little in common with Korea’s traditional foxtrot music. There are upbeat pop songs in “Try to Catch Me” and “I Need a Man,” slow ballads in “I Am Anxious,” “Once Again,” and “The Life of a Woman,” (that last title not a rendition of the Lee Mi-Ja classic), and even a Korean-language cover of “One Night Only” from Dreamgirls. Like most of Jang’s albums, it’s all over the map stylistically, but the material is strong and her vocals tie it together cohesively.

Cover art via ManiaDB

Cho Duk-Bae Vol. 3 (조덕배 3집) (1988)

Cho Duk-Bae’s third album is a bit jazzier and less acoustic-based than his previous two albums, and a bit more consistent, as there aren’t any stylistic outliers such as “You Look So Pretty From Behind” or “You Who Are Hidden to Me.” The general feel of Cho’s music is still laid-back and mysterious, and his familiar lyrical themes are still there.

The title track is the haunting “The Woman Who Was Holding Baby’s Breath,” consistent with the cover photo of a little girl sitting in a patch of said flowers. Other highlights include “My Love,” “I Won’t Sing a Sad Song,” and “A Flower in a Rainy Mist.”

This album is only available on CD as a combined disc with Cho’s fifth album (Cho has no fourth album). The track sequence here is the one from the original vinyl LP.

Image courtesy of powerranking.tistory.com

Cho Yong-Pil Vol. 1 (조용필 1집) (1980)

While Cho Yong-Pil had released music throughout the 1970’s, it wasn’t until his first release with Jigu Records in 1980 that he became a superstar. Many of the songs on this album are among Cho’s best-known to this day. “Return to Busan Port” is considered by some to be the most significant Korean pop song in history, its message resonating with Korean families whose relatives had gone abroad. The bluesy ballad “The Woman Outside the Window” and the synth-pop disco of “Bobbed Hair” were musically innovative, and there’s a reverence for previous generations of Korean music as well, with a recording of the folk song “Five Hundred Years” and a remake of the 1959 hit “Daejeon Blues.”

Several tracks here had been released previously, such as “Return to Busan Port,” “The River of No Return,” “Jeong,” and “Too Short.” “The River of No Return,” “Love Hasn’t Ended Yet,” and “The Woman Outside the Window” were originally musical pieces written for dramas. In a sense, this album is like a greatest hits collection of Cho’s 1970’s work and then some. It ended up becoming the first Korean album to sell a million copies, and far and away the best-selling Korean album of 1980.

Note: The CD version of this album has a slightly different track sequence. The sequence here is from the original vinyl album.

Album cover via ManiaDB